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Both of which are viewed through a distant, purple-tinted lens, delivering no warmth or connection to the story.
Personally, I do not think this is like Gone Girl at all, story-wise or stylistically. The comparisons emerge from a marriage being told with changing perspectives and how this changes our view of it , plus the upper middle class wealth of the characters.
Fates and Furies uses a weak story as a means to explore language, word usage and metaphor. The basic, fundamental goals of each book feel different.
Plus, I think - and this might get some raised eyebrows - that the characters of Gone Girl are saved from being completely unlikable.
Or perhaps, at least, elicit a powerful enough response from us that we care about them, remember them, and love to hate them.
Amy might be view spoiler [a crazy bitch hide spoiler ] but she's also smart, charming and insightful. There is none of that "love to hate" here.
Lotto and Mathilde are merely obnoxious and irritating. The plot is revealed, almost in its entirety, by the book description. This is about a marriage, told from the two different sides and, clearly, we are going to get a very different view from each side.
There is no "twist" really, just a changing view of events and characters. There is also a running metaphor tied in with Greek mythology, which some might perceive as feminist.
To be honest, I liked the idea of the feminist symbolism more than the heavy-handed execution. The idea is that women are always more than they seem, today and historically, smart and cunning behind the scenes, manipulating events like the Greek Fates and Furies themselves.
But the author kind of bashes us over the head with the cleverness of her own metaphor. In fact, many things were done wrong.
Lotto is a playwright and the book contained long extracts from his plays, which was incredibly tedious. I also didn't want to use the P-word in a book with a word mission like this, but damn, it is pretentious.
He would have liked to go deeper into her, to seat himself on the seat of her lacrimal bone and ride there, tiny homunculus like a rodeo cowboy, understand what it was she thought.
Also, the repetitive and gross descriptions of sex and sexual desire felt unnecessary. I don't mean to be prudish, but everyone in this book is experiencing some kind of weird sexual inclination toward other people.
It seems to be the "thing" these days to deconstruct sex into something political, harsh and unpleasant - Gone Girl did that too - but it was just tiring here.
Not exciting, not interesting, not shocking. He imagined a lifetime of screwing on the beach until they were one of those ancient pairs speed-walking in the morning, skin like lacquered walnut meat.
Even old, he would waltz her into the dunes and have his way with her sexy frail bird bones, the plastic hips, the bionic knee.
Fates and Furies feels like a book for readers who genuinely enjoy the exploration of language and metaphor, and do not require some kind of emotional connection with the characters or story.
If you're looking for a twisty mystery with unlikable characters, stick with Gone Girl or The Girl on the Train. If those characters are too unlikable for you, read Tana French or just do that anyway.
If you're looking for a quieter character study about family life, try A Spool of Blue Thread. View all 61 comments. Apr 23, karen rated it really liked it Shelves: Gone Girl with slightly nicer people How, so gently, she flicked it and kept him spinning.
His wife carried their picnic basket to the edge of the lake under a willow so old it no longer wept, just sort of bore its fate with thickened equanimity.
View all 62 comments. Oct 02, Vegantrav rated it did not like it. My apologies to the author, Lauren Groff, for being so harsh, but this novel is terrible.
We still have almost 3 full months remaining, but I have no doubt it will at least be in the top 3 worst reads of the year. I hated this novel.
I only finished reading hate-reading, actually so I could have an outlet for my anger and disappointment: Reading the description that Two word review: Reading the description that Goodreads has posted on its main page for Fates and Furies is making me physically ill: A dazzling examination of a marriage.
The only expectation it defies is that of one expecting to read good literature. It is dazzling only in its level of insipid ludicrousness. I am so angry that this book, so highly touted and so extravagantly praised 1.
These latter two books are touted as two of the biggest books of the year. After reading two such good works of literature especially the Winslow novel , it was truly disappointing to encounter something so awful as Fates and Furies.
How this novel made it onto the longlist of finalists for the National Book Award is beyond my comprehension. Lotto short for Lancelot is the husband and Mathilde is the wife.
Yes, one of our protagonists is called Lotto. If I may, I shall, without spoiling anything, simply list some of the inanities of this novel: Mathilde once allowed a leech that had latched onto her leg to stay because she was so lonely.
Lotto thought this story was so touching that, years later, he began telling it as if it were his own. Yes, Mathilde was so lonely she let a parasite suck on her for a few days until it fell off in the shower, and when it fell off, she was sad.
And her husband found this story moving. Because lonely children love parasites sucking on their flesh. This is idiocy that defies description.
About 5 months after Lotto's mother, Antoinette, has died, Lotto is discussing how he and his mother had been estranged.
Lotto is very emotional and is tearing up, and Chollie, his best friend, refers to Antoinette as a "loveless cunt" pardon the language, but this is a direct quote.
Ariel mentions, just off the cuff, that he heard Lotto has "come into a shocking inheritance. Because this is how Groff imagines that real people act.
Lotto seems to write a brand new play, cast the actors, and produce and stage that same play all within about a year's time. And, when most productive, he is churning out one play a year.
In what fantasy world of New York theater does Groff thinks that this happens? Lotto and Mathilde get married after only knowing each other 2 weeks.
Before the marriage, Lotto had been exceedingly promiscuous with both women and men, but he immediately settles down completely upon meeting Mathilde, gives up his promiscuous ways, and never comes close to cheating on her throughout their marriage.
I suppose this is within the realm of possibility, but Groff changes Lotto so completely and instantaneously that the change just does not ring true.
The prose is just horrible and ludicrous. At one point, Groff provides a list of the items in massive garbage heap floating in the sea: Does she even know what taxidermy is?
Is she just throwing words on the page randomly? Fickle, inconstant, that monthly changes in her circle orb" page I get the Shakespearean allusion, but still: Lotto and his sister, Rachel, refer to their mother as "muvva.
Lotto and Mathilde have a dog named God. Yep, that's just hilarious, isn't it? It's not that I'm offended by this; I'm not. I just think it's dumb.
Really, really, really dumb. Trying to describe an idyllic scene at Mathilde's grandmother's dairy farm in France a grandmother who, we are told earlier, sold blood sausages on the black market in France during World War II--that's not even a thing: Groff thinks this is a good thing.
Ummmm, so if the milk tastes like manure, it's contaminated! That's nasty and gross. That's not how milk is supposed to taste. I'm a vegan and even I know that milk is not supposed to taste like bovine excrement!
Mathilde takes a high-performance Mercedes for a drive at night. She turns off the headlights and speeds up to mph. She hits a culvert and the car somersaults.
Other than biting her tongue pretty badly, she is unhurt. We get insightful wisdom like this via Mathilde's thoughts on page Groff is not a completely inept writer.
Near the end, we get this gem of a sentence: Vulgar language does not offend me. This is supposed to pass for good literature?
Okay, so I won't go on any more. I hated everything about this book. Even two of the supposed startling secrets near the end view spoiler [Lotto had a son when he was 15 that was given up for adoption and who then shows up at the end of the novel after Lotto has died and has sex with Mathilde; Mathilde, when she was 4-years-old, seems it's left a bit vague to have intentionally pushed her younger brother down the stairs, which killed him hide spoiler ] left me cold and bored.
This novel is just terrible. Seriously, do not read this pretentious hokum. Book-1 Shelby-0 I hate this book. There I said it. I keep trying to read it and then I look down and it says I still have soooo much time left in this book.
I'm never going to finish. The only character that I'm somewhat interested in is Chollie. The rest of them are just pretentious hipster assholes.
Netgalley in exchange for review I'm probably totally missing out by not making myself finish this book. I'm still not gonna do it but my friend Leanne loved Book-1 Shelby-0 I hate this book.
I'm still not gonna do it but my friend Leanne loved it and wrote a beautiful review for the book. View all 89 comments.
May 07, Debbie rated it really liked it Shelves: Language to die for. But why did it take me three weeks to read? This is a complex love story, full of secrets and regrets and passion.
It is absolutely brilliant. Yeah, so why DID it take me so long to read this? Take a peek at my Complaint Board: At the end, I got to a brilliant twist!
I knew it was brilliant, but wait….. I could search the names and get transported right back to the scenes where the characters were mentioned.
Oh yes, now I see…. Just too long and dense. The sentence structure, though gorgeous, slowed me down. This can be problematic; see my first complaint.
Cut out the plays. Super confusing to me. And one hostile conversation where a woman is called a total vagina and later a pig face seemed over-the-top and unbelievable.
Would people at a party actually say such things? Super minor, but annoying: Give me a dictionary! I like learning a few new words, but there were a LOT here, sometimes two or more to a page.
Reading this would be a great way to learn vocabulary for the SATs. The wife is more dynamic and complex than the husband. Luckily, her story is the one at the end, so the joy flows as you read on.
Now for the good—no, the incredible—stuff. To start with, the characters are so vivid, I felt like I really knew what makes them tick.
They are complex, intriguing, flawed. The third-person narration made me believe it all; there were no unreliable narrators to make me worry that any of it was false.
This was so clever! I mean, I love a good unreliable narrator, but here, it was cool the way the narration made everything believable.
I felt like I was in the in-crowd; it made me feel lucky and privileged that I was getting the real scoop.
Groff is wise and her ideas are fresh. Some sentences made me ponder with glee, even if I did have to read them twice!
And I ate up the language and the images. Here are a few quotes, to give you a taste: He is deformed, crooked, old and sere; ill-faced, worse bodied, shapeless everywhere; vicious, ungentle, foolish, blunt, unkind; stigmatical in making, worse in mind.
It was a cover for poor hygiene or for body shame. Clean people never aspired to the floral. No marriage is what it seems, and this one is no exception—there are secrets and sorrows and guilt and failures.
Insecurities, vulnerabilities, misunderstandings, and missed opportunities. The characters are often underground, not exposing their real selves—neither their feelings nor actions—to each other, though their mutual love is intense.
If you give voice to the things you think every day about your spouse, you'd crush them to paste. She never lied, just never said. Groff deftly shows us the history and motives many of which are doozies behind the scenes.
The second part is what makes this book sing. The story made my mind jump, made the book sort of interactive in a cool way, in that as I read the second half of the book, I would naturally remember back to the first way the story was told.
It made my mind love the play of back and forth, as I looked at two versions of one event—pure delight. But, as I said, this was a slow read, especially the first part.
I still think this book is phenomenal, and I think it deserves awards. View all 60 comments. Also still metabolizing who she was given the little bump when she was only 4.
Nov 07, May 27, Joodith rated it did not like it Shelves: It's not often I say I hate a book, but I absolutely hate this, and yes, I realise I'm sticking my neck out, and I'll more than likely be in the minority, but c'est la vie.
He calls his mother Muvva! They are beautiful of course - who wants to read about plain or ugly people? The prose in this book is so over the top, so flamboyant, obscure and ostentatious I just cannot stand it.
This particular passage had me cringing: She stretched her long arms over her head, and there were little nests of winter hair in the pits.
She could hatch baby robins in those things. She looked at him, savoring her own knowing, his unknowing. Does this author think it's clever to write this way?
I don't know if this her usual style as I haven't read anything of hers - and this certainly does not encourage me to read her earlier books.
It's another case of throwing every word you know, whether it actually makes sense or not - but never mind, it looks impressive.
I don't doubt that Ms Groff toiled long and hard over this, in an effort to write The Great American Novel, but to me it comes across as self-indulgent fiddle-faddle.
Described as "a literary masterpiece that defies expectation. Who is it who decides what I, the reader will like; who is it who calls this a masterpiece?
Those of us who don't agree are already at a disadvantage as we will be expected to explain and justify our reasons, whereas those who agree can sit back smugly.
I dislike this book intensely. Amazon sent me a free copy speficicaly for review purposes. View all 23 comments. Jul 01, Carmen rated it did not like it Recommends it for: No amount of beautiful language can gild this piece of shit.
View all 50 comments. Jun 30, Lark Benobi rated it did not like it Shelves: People want to lick other people's faces way too much in this novel.
Like, once is enough for that particular gesture to occur to a character out of the blue, don't you think? You may disagree but personally I don't think most people have regular thoughts about how they want to lick one another's faces.
So to have characters think somewhat regularly or even more than once about licking one another's faces, in the same novel, felt odd to me. Indeed I have many questions about this novel.
My main People want to lick other people's faces way too much in this novel. My main question is: Because it's not just the licking, let's face it, it's the whole damn book, every sentence, that feels gloopy, and a little gross.
You may find yourself reading along like I was reading along, thinking that this language sounds great and witty.
But at some point, unlucky you, you might just slow down enough listen to these particular words on the page in front of you, and you may eventually find you are pondering their meaning, instead of just being carried away by their sense impression.
And then, well, watch out, because the rest of your reading experience will be wondering what the heck the author meant to say. People in this novel say things like "My family traded me for three mules and a bucket of butter" and "Bridget is to dating Lotto the way a remora is to dating a shark.
Then this novel is for you. Eventually I stopped saying to myself "wow how original" and started saying instead "but wait, that actually doesn't mean anything" and even "Of all the silly nonsense, this is the stupidest tea party I've ever been to in all my life.
That's about my take. Try reading it yourself and see what you think. Everyone else seems to think this novel is heart-palpitatingly amazing and you might agree.
View all 47 comments. May 02, Elyse Walters rated it really liked it Shelves: On the positive note I was interested in the story about the married couple.
I think this book is an excellent commentary on marriage The author captures each character's individuality I like much on this story-- yet..
I'm aware I was often 'detached'. This was not a book for me- that kept me turning pages wit 3. This was not a book for me- that kept me turning pages with urgency.
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